every few months for ten years or more, i've been checking itunes for the van morrison live album it's too late to stop now, which is my candidate for best live rock album (but really, if i were assigning it to a genre, it'd be soul, though soul and rock aren't perfectly distinct by any means). i have it on lp, but i wore it out in the 70s so bad that's it's mostly unplayable. anyway, it is up, the original two-record set along with multiple further volumes. i'm not sure just what those are, but will explore.
the thing is just great: it's a big band with horn section and strings, recorded with no overdubs. van is wildly improvisational and eccentric, but also working perfectly with the band and the arrangements, and there are so many great songs, some of them in quite their best versions, like this:
it was released in '73, and i have always speculated that the early springsteen albums would be impossible without it; the instrumental configuration is similar, as also the street-corner symphony of the lyric themes and even the vocal style. only, van is so so much better: there's always a lilt, a subtlety, an idiosyncrasy, a change of tempo or emphasis, a sense of play. in contrast, i hear springsteen as pretentious, big for the sake of big, with a bludgeoning and unsubtle rhythm and bellowing vocals that i associate with my chronic headaches from the era. bs might get whytheysucked pretty soon by the way.