watcha readin profcrispy?
pierre-joseph proudhon: what is property? (1840)
as everyone knows by now, property is theft. that's a good sample of pjp's penchant for paradox: he's a wildly creative and bold prose stylist, as well as the first person to refer to himself as an "anarchist" (on the grounds that anarchy is order). but the philosophy is an awful mess: proudhon thought he was placing "the social question" on an indubitable scientific footing, which was the characteristic claim of his era in political philosophy. rarely has it been further from the truth: he's not even coherent, much less scientific. is he a christian or an atheist? an anarchist or an absolutist? even he doesn't know or, really, seem to care.
murray rothbard: conceived in liberty (4 volumes)
a history of colonial america. i'm midway through the first volume. it's an amazing performance: elegantly and definitely written, bristling with hard facts, with an angle (libertarianism). "arrant self-righteousness and a flagrant double standard of morality are often characteristic of the side with the superior weapons in any dispute," rothbard observes, apropos of virginia's slaughter and treachery with regard to native populations.
yirmiyahu yovel, spinoza and other heretics (2 volumes)
a very interesting contextuualizing of spinoza as a marrano jew, from a background of forced conversion and exile among iberian jews. many marranos practiced judaism (as they understood it) secretly and became very skilled at covert expressions of their belief. (an analogy: check out covert rasta themes in early jamaican ska: as in prince buster's "king of kings": "lion says, i am king, and i reign." meanwhile rasta compounds were being raided etc). yovel connects this very plausibly to spinoza's remarkable and remarkably vexing prose style, which reveals a radical philosophy, but also disguises it. however, i'd say he overplays this particular hand: every expression by every marrano and spinoza's every comma are analyzed as having this structure.
banksy: wall and piece
this stencil/graf guy from the uk is as good and interesting a visual artist as there is working today. his work is wild, subversive, and also well-crafted: "all artists are prepared to suffer for their work. but why are so few prepared to learn to darw?" he's a hero of my daughter emma: at least she's not into picasso and all that billion-dollar genius shit. i'm teaching a graf course in the spring as i mutate into a prof of art and art history: this will be a centerpiece. here are three pieces banksy did on the israeli wall between themselves and and the palestinians.
"the greatest crimes in the world are not committed by people breaking the rules but by people following the rules. it's people who follow orders who drop bombs and massacre villages. as a precaution to ever committing major acts of evil it is our solemn duty never to do what we're told. this is the only way we can be sure."
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