(that tammy wynette is fucking incredible: my candidate for the greatest pop singer of the twentieth century. her timing is so extreme and devastatingly expressive, playing so far behind and then on the band as though waiting for and then trying to seize the cure or just describing the shape of yearning. that timing is of the essence of country music, and it corresponds to the similarly extreme, the unmatched, dynamics. she's always threatening to unleash a new level of intensity. i don't think the recording equipment of the era could really capture or even survive what she's doing there. it's thermobaric. i will be your vietnam.)